![]() ![]() Related watching: The Ring of Truth and everything Eames. Related reading at the Eames Office includes Thinking big and small: Tools for teaching and understanding the importance of scale. Powers of Ten is culturally, historically, and aesthetically significant, as noted by the Library of Congress, thanks to its simplicity, design, and the perception-altering nature of viewing it. Our journey ends inside a proton of a carbon atom within a DNA molecule in a white blood cell. Returning to Earth with breathtaking speed, we move inward- into the hand of the sleeping picnicker – with ten times more magnification every ten seconds. Every ten seconds we view the starting point from ten times farther out until our own galaxy is visible only as a speck of light among many others. Starting at a picnic by the lakeside in Chicago, this famous film transports us to the outer edges of the universe. Powers of Ten takes us on an adventure in magnitudes. It was based on the 1957 book Cosmic View: The Universe in Forty Jumps by Kees Boeke. Cosmic Voyage (1996), a loose remake of Powers of Ten in IMAX format for the National Air and Space Museum.Powers of Ten, written and directed by Charles and Ray Eames, was first released in 1968 and later re-released by the Eames Office in 1977. 1: The Powers of 10 DVD Philip Morrison (Actor), Judith Bronowski (Actor), Charles Eames (Director, Writer), Rated: Unrated Format: DVD 61 ratings IMDb 8.0/10.0 2498 Get Fast, Free Shipping with Amazon Prime FREE Returns DVD 24.98 VHS Tape from 6.Cosmic Zoom (1968), an eight-minute short from Canada.Powers of Ten: A Book About the Relative Size of Things in the Universe and the Effect of Adding another Zero. Morrison, Philip Morrison, Phylis Morrison (1994).The camera then zooms back in at a rate of a power of ten per 2 seconds to the picnic, and then slows back down to its original rate into the man's hand, to views of negative powers of ten: 10 −1 meters (10 centimeters), and so forth, revealing a skin cell and zooming in on it-until the camera comes to quarks in a proton of a carbon atom at 10 −16 meters. The zoom-out continues (at a rate of one power of ten per 10 seconds), to a view of 100 meters (330 ft) ( 10 2 meters) (where they are shown to be in Burnham Park, near Soldier Field, then 1 kilometer (3,300 ft) ( 10 3 meters) (where we see the entirety of Chicago), and so on, increasing the perspective and continuing to zoom out to a field of view of 10 24 meters, or a field of view 100 million light years across. The viewpoint, accompanied by expository voiceover by Philip Morrison, then slowly zooms out to a view 10 meters (33 ft) across (or 10 1 meters in scientific notation). The man (played by Swiss designer Paul Bruhwiler) then sleeps, while the woman (played by Eames staffer Etsu Garfias) starts to read one of the books. ![]() The film begins with an overhead view of a man and woman picnicking in a park at the Chicago lakefront - a 1-meter (3.3 ft) overhead image of the figures on a blanket surrounded by food and books they brought with them, one of them being The Voices of Time by J. It is wordless, using sped-up music during the return trips to normal size. ![]() There is also a 1968 National Film Board of Canada film entitled Cosmic Zoom which covers the same subject using animation. It was installed in the Smithsonian Institution's National Air and Space Museum's Life in the Universe gallery at the time of the museum's opening in 1976, until the gallery's closure in 1978. As the viewer's speed increases, Earth time, relative to the viewer, also increases. This version of the film has two clocks in the corner showing the comparison between the viewer's time and that of Earth time. In 1998, Powers of Ten, the 1977 version, was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The 1977 film has a number of changes from the prototype, including being entirely in color, moving the starting location from Miami to Chicago, removing the relativistic (time) dimension, introducing an additional two powers of ten at each extreme, a change in narrator from Judith Bronowski to Philip Morrison, and much-improved graphics. Both films, and a book based on the second film, follow the form of the Boeke original, adding color and photography to the black and white drawings employed by Boeke in his seminal work. The Powers of Ten films were adaptations of the book Cosmic View (1957) by Dutch educator Kees Boeke. The first film, A Rough Sketch for a Proposed Film Dealing with the Powers of Ten and the Relative Size of Things in the Universe, was a prototype and was completed in 1968 the second film, Powers of Ten: A Film Dealing with the Relative Size of Things in the Universe and the Effect of Adding Another Zero, was completed in 1977. ![]()
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